Harriet Tubman was an
extraordinary woman. After escaping slavery, she travelled back to the South at
least 13 times under great personal risk to rescue over fifty members of her
family. She remarked to Frederick Douglass, that she “never lost a single
passenger” on the so-called Underground Railroad. Born in Maryland in
1820, Harriet 'Minty' Ross worked as a house servant during her early years.
Before she reached her teens she stood in the path of a brutal overseer who was
about to strike a fellow slave, and the overseer hit her instead. The injury
nearly killed her, and throughout her life she suffered from blackouts where
she fell asleep at unexpected moments, with no memory of her lapse on waking.
This was to prove dangerous in her future rescue missions. In 1844, she married
John Tubman, who refused to accompany her when she decided to flee slavery,
afraid the venture was too dangerous. Harriet decided to leave him, and reached
Philadelphia and worked there for a short time, until she travelled back to
Maryland to free her sister and her sister’s two children. She returned to the
South again to help her brother, and tried to convince her husband to come to
the North, but unfortunately, he had remarried. This began her career as a
“conductor” on the Underground Railroad, a network of houses and people who
were friendly to the abolitionist cause, who would hide runaway slaves and aid
them in their escape to the North or Canada. Tubman would rescue slaves from a
plantation and head to these houses in turn. She would always leave on a
Saturday night, as wanted posters for runaway slaves wouldn’t be printed until
Monday, and carried sleeping drugs to sooth crying babies. She was
exceptionally smart – once, when bounty hunters were on her trail, she and her
rescued slaves hitched a ride on a train, riding back to the place they had
escaped from as no hunter would expect them to turn back. If her charges became
doubtful, she threatened them to “go forward or die.” By 1856, there was a
large reward for her capture, and she was nicknamed “Moses” by fellow African
Americans. Frederick Douglass remarked “excepting John Brown…I know of no one
who has willingly encountered more perils and hardships to serve our enslaved
people than Harriet Tubman.” (Brown himself called Harriet “General Tubman.”)
During the Civil War, she worked as a nurse and a spy for the Union. She died
in 1913.
Sunday, 24 August 2014
Harriet Tubman: One of the Greatest Women Who Ever Lived
Born enslaved, Harriet Tubman once said: "there is either liberty or death, and if I can’t have one, I will have the other.”
One of the Greatest Speeches in History: What to the Slave is the 4th of July?
"What to the Slave is the 4th of July?" On the 5th July, 1852, Frederick Douglass took to the stage in Rochester, New York. He was asked to speak at a ceremony commemorating Independence Day, but Douglass destroyed the illusion of a "freedom-loving" America by describing the terrifying reality of slavery. This is probably the most famous speech by Douglass and rightly so: its power and shattering realism stir the soul. For me, it represents why American history is so interesting to study. Douglass uses heart-rending language to epitomise that fatal contradiction in American society, which on many levels, still exists today. A nation that defines itself by freedom is polluted with the stain of slavery.
"...Fellow-citizens, pardon me, allow me
to ask, why am I called upon to speak here to-day? What have I, or those I
represent, to do with your national independence? Are the great principles of
political freedom and of natural justice, embodied in that Declaration of Independence,
extended to us? and am I, therefore, called upon to bring our humble offering
to the national altar, and to confess the benefits and express devout gratitude
for the blessings resulting from your independence to us?... I say it with
a sad sense of the disparity between us. I am not included within the pale of
this glorious anniversary! Your high independence only reveals the immeasurable
distance between us. The blessings in which you, this day, rejoice, are not
enjoyed in common. The rich inheritance of justice, liberty, prosperity and
independence, bequeathed by your fathers, is shared by you, not by me. The
sunlight that brought life and healing to you, has brought stripes and death to
me. This Fourth [of] July is yours, not mine. You may rejoice, I must mourn. To
drag a man in fetters into the grand illuminated temple of liberty, and call
upon him to join you in joyous anthems, were inhuman mockery and sacrilegious
irony. Do you mean, citizens, to mock me, by asking me to speak to-day? ...Fellow-citizens; above your national, tumultuous joy, I hear the
mournful wail of millions! whose chains, heavy and grievous yesterday, are,
to-day, rendered more intolerable by the jubilee shouts that reach them... I do not hesitate
to declare, with all my soul, that the character and conduct of this nation
never looked blacker to me than on this 4th of July! Whether we turn to the
declarations of the past, or to the professions of the present, the conduct of
the nation seems equally hideous and revolting. America is false to the past,
false to the present, and solemnly binds herself to be false to the future.
Standing with God and the crushed and bleeding slave on this occasion, I will,
in the name of humanity which is outraged, in the name of liberty which is
fettered, in the name of the constitution and the Bible, which are disregarded
and trampled upon, dare to call in question and to denounce, with all the
emphasis I can command, everything that serves to perpetuate slavery-the great
sin and shame of America! "I will not equivocate; I will not excuse;"
I will use the severest language I can command; and yet not one word shall
escape me that any man, whose judgment is not blinded by prejudice, or who is
not at heart a slaveholder, shall not confess to be right and just...What,
to the American slave, is your 4th of July? I answer: a day that reveals to
him, more than all other days in the year, the gross injustice and cruelty to
which he is the constant victim. To him, your celebration is a sham; your
boasted liberty, an unholy license; your national greatness, swelling vanity;
your sounds of rejoicing are empty and heartless; your denunciations of
tyrants, brass fronted impudence; your shouts of liberty and equality, hollow
mockery; your prayers and hymns, your sermons and thanksgivings, with all your
religious parade, and solemnity, are, to him, mere bombast, fraud, deception,
impiety, and hypocrisy—a thin veil to cover up crimes which would disgrace a
nation of savages. There is not a nation on the earth guilty of practices, more
shocking and bloody, than are the people of these United States, at this very
hour. Go where you may, search where you will, roam through all the
monarchies and despotisms of the old world, travel through South America,
search out every abuse, and when you have found the last, lay your facts by the
side of the everyday practices of this nation, and you will say with me, that,
for revolting barbarity and shameless hypocrisy, America reigns without a
rival…"
The Skyscraper Race: A New Frontier
“The Great
Skyscraper Race”: Gilbert Keith Chesterton wrote that “architecture is the
alphabet of giants; it is the largest set of symbols ever made to meet the eyes
of men. A tower stands up like a sort of simplified statue, of much more than
heroic size.” From 1903, seven skyscrapers in New York fought and won the title
of the world’s tallest building, a battle that boasted the fast pace of
industrialisation, modernity and the enormous wealth of the United States.
Louis Sullivan, often nicknamed the “father of skyscrapers”, remarked that a
building must be “every inch a proud and soaring thing, rising in sheer
exaltation…” surely, elements which these skyscrapers incorporate. By 1929,
there were 188 skyscrapers in the Big Apple, many of them in the Art Deco style
that was popular in the late 1920’s and beyond. Skyscrapers had to combat a
number of problems, height and shape being two of them. The invention of the
elevator was critical for skyscrapers to reach even higher, and by 1924, it had
become semi-automatic, removing the need for an operator.
The Chrysler Building
The Chrysler is one of the most
recognisable buildings in the world, and is a perfect example of the Art Deco
style. Originally, the building was conceived by Senator William Reynolds who worked
with architect William Van Alen, but soon backed out after Alen’s plans were
too costly. This paved the way for Walter P. Chrysler to take up the task. It
had not escaped Chrysler’s attention that the area on 42nd Street
was cheap, and he wanted a skyscraper that would bring financial rejuvenation
to the area as well as being visually impressive. Chrysler also wanted to claim
he owned the tallest building in the world. Van Alen, who was born in Brooklyn
and spent several years in Paris studying architecture, devised new plans that
were dismissed by Chrysler – he wanted a bigger and more striking building. He
wanted his office to look out across the New York skyline; he also asked Alen
to place a toilet on the top floor so he could “shit on Henry Ford and the rest
of the world.” Begun in 1928, it took two years for the building to be
constructed, at roughly four stories a week. And, amazingly, no construction
workers died during its completion. Before the building was finished, Van Alen
had a trick up his sleeve to ensure the Chrysler was the tallest building in
New York, fighting off competition in Wall Street from his former partner Craig
Severance. Van Alen designed a 186ft spire in secret that could be assembled in
just 90 minutes. After the spire had been placed, embarrassingly, Wall Street
announced they had the tallest building, but Alen’s genius had won out.
Unfortunately for Alen, the Empire State Building robbed the Chrysler of the
title a few months later. Ironically, the Chrysler was to be Van Alen’s
downfall. After its construction, Chrysler argued that Alen had stolen ideas
from other architects and did not pay him – it is still a mystery whether Alen
ever received a dollar for this stunning design. This, together with the onset
of the Depression meant that Alen never worked on a similar grand design ever
again. The Chrysler is now the second tallest in New York, after the attacks on
9/11 destroyed the World Trade Center. In 1976, it was named a national
landmark.
Subscribe to:
Posts (Atom)